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#21 | |
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bonsaiTALK Master Craftsman
Join Date: May-2005
Country: The Netherlands
Posts: 965
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[QUOTE=Candy_J_Shirey]Al, I respectfully submit that your friend is very egocentric. The beauty of a tree is inherent to the tree - not the creator or the tree. If everyone felt this way about bonsai, there would be no old specimens handed down from previous generations.
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I prefer: It's all about bonsai! Men+tree=Bonsai. Stop being so judgemental about an other person bonsai approach, Judges the end results. Than you might see that you are the one that is egocentric in your firm bonsai believes, and are not learning any more! With all respect, Hans. |
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#22 |
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bonsaiTALK Master Chief
Join Date: Jan-2004
Location: South Texas
Country: U.S.A.
USDA Zone: 9-10
AHS Heat Zone: 11
Posts: 1,195
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I love these threads!!!!!
Dale,
hey! I represent that!......Dale....."I TRIED to learn bonsai by myself for about 8 years and found it doesn't work" Actually i agree with you.A teacher,someone to hold you acountable is imperative.Friends are too damn nice ................................................... .................................................. .... Hans, I think you might be the exception.Your talent speaks for itself.No matter how you came upon it. .................................................. .................................................. .... Candy, I,too would be a collector of great bonsai if I could afford someone to look after them.The maintenance is the least interesting part of bonsai to me.I enjoy most of all the planning and inspiration that sometimes comes from no where.For me,the process is the inspiration.I may be biased though,in that my collection is made up of tropicals.As fast as they develop....they deteriorate just as fast if not constantly groomed.The plus and minus of tropical bonsai .andy
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http://pittmandavis.com/ |
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#23 | |
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Dances With Trees
Join Date: Jul-2004
Location: Lake County California
Country: USA
USDA Zone: 8-9
AHS Heat Zone: 7-8
Posts: 573
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Quote:
Is this really the only way to have formal training? Are there not bonsai masters who are not Japanese and have formal students? I think you are being a little restrictive in your definition of formal training, if it can only take place in Japan or under the instruction of someone who is Japanese. - bob
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"As a twig is bent the tree inclines" - Virgil (70BC-19BC) - - - - - - - - - - - - - - - - Check out my blog: bonsaiapprentice |
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#24 | |
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bonsaiTALK Master Craftsman
Join Date: May-2005
Country: The Netherlands
Posts: 965
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Quote:
Well there we go again, Attila! judgmental as always! If making nice bonsai in your own way is"HAVING ISSUES" i'm glad I have them! Hans |
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#25 |
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bonsaiTALK Master Chief
Join Date: Jan-2004
Location: South Texas
Country: U.S.A.
USDA Zone: 9-10
AHS Heat Zone: 11
Posts: 1,195
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geez guys.............
To each their own.Some of us practice bonsai for the creative aspect of it,or the relaxing part of it,or even the frustrating maddening challenge of it.To say that some one who wouldn't enjoy owning a masterpice designed by someone else as much as a creating a marginal little tree of our own,does not mean that the masterpice is not admired and appreciated.If it's about the tree...it matters not where the tree is.
andy
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http://pittmandavis.com/ |
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#26 |
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Bonsai Doer
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Excellent...(wringing hands)..Excellent!
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A tree a day...thats all we ask. |
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#27 |
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bonsaiTALK Artisan
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This is an excellent thread. I think to ask such a question asks if we really honor masters the way we all would like to honor them. It also opens up the idea of Art and honoring the artist we like not nessasrily just any master who is a master of bonsai. Many many ideas are flowing but in paraphrasing from a quote I saw here A bonsai being the sum of all the idiots who've worked on it.... I like the idea of working on a tree that someone else has worked on. To me it is like continuing the music another mucian has just handed off in a jam session.
However this also brings up who the tree really belongs to and who belongs to who. Can you really own a tree after you've passed on. Do you own the trees you have now or do they own you? Two hundred years from now no one will likely know or more than likely care who in particular worked on a particular tree of mine because I will likely never be famous. But I like the idea of knowing an artist by their work and like the idea of wondering about what they were thinking or feeling when they did what they did. Again I can appreciate the idea of being recognized by your work but in bonsai isn't it a funny thing to say that an artist has styled a one thousand or two thousand year old juniper into something? I can appreciate a contribution but ultimately it is more about the trees for me. What have they lived through and how they make me feel. Just a few thoughts-Dkozi |
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#28 |
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Trunk Collector
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I have not had many bonsai sensei, but have had several martial arts sensei due to career moves. I have learned something important and unique from every instructor over the years. Sometimes the teachers have fundamental disagreements. Then it is up to me to sort through the differences, and decide what works FOR ME. Frankly, I want to learn from EVERYBODY. Talking with a beginner teaches one to clarify ones thoughts. Talking with a master often means remembering that one golden bit of information among the massive amounts of information that is over your head.
One teacher? Everyone I meet is a teacher. I'm a synthesis of all my experiences. Respectfully Brian
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There's a difference between taking your art seriously, and taking yourself too seriously. |
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#29 | |
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A very humble student
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I am a member of the bonsai society that Bill Valavanis founded. Any one of our
members would be in bonsai-heaven having "just" Bill as our main source of instruction and knowledge. But as he said: Quote:
And when you think about it... it is the best approach. Otherwise, we'd all be producing cookie-cutter bonsai in the fashion of the one Master under whom we've studied. The art of bonsai would never progress and evolve. |
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#30 |
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Old Bonsaiman-new pots
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RonMartin]Lots of truth to what Dale says. You can learn a lot if you only stop to listen. Good stuff mostly but not always. You just have to sift through all you have learned and find what works.
Ron, FYI, I didn't say that. It was a quote from a post by Bill V. Learning can come from surprising sources. Heck I even bought my first Mica pot from Dale at a convention in DC. Didn’t think much of it at the time but I have built a pretty good business based on that one purchase. Now That was a while ago!!. When the two importers were Brussels and Sharon Muth. I was the first to sell them there in DC I believe.. Like HOT CAKES as they say. After a couple years they died down greatly, I see now, that after a pause of a few years they are on the upswing again. I expect that in a few more years the sales will drop until newbies start needing some bigger pots again. That doesn’t have much to do with the art of bonsai just the value of having many teachers. From each one can learn something. Yes, but as I tried to convey earlier, the main word here is TEACHERS, An experienced teacher or teachers is the road to success, not books, your average club, or (gulp) talk groups. Dale
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________________________________ If you want to be Different.... You have to DO something Different! __________________________________________ Some people NEVER take the time to do a job right the first time.... but, they always seem to make the time to do it over again... ____________________________________________ Dale Cochoy Wild Things Bonsai Studio Yakimono no Kokoro Bonsai Pottery Hartville, Ohio |
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