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#1 |
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bonsaiTALK Expert
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Why is it that people exibit a tree with a rock in an alcove?
Is there some history or reason behind that?
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"And the LORD God made all kinds of trees grow out of the ground-trees that were pleasing to the eye and good for food." - Genesis 2:9 |
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#2 |
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Bonsai Doer
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Howdy, The alcove or "Tokonoma" has been an integral part of the Japanese home for centuries. The alcove is used for display. It can be for a bonsai, maybe a rock or "Suiseki" or maybe a special vase or Ikabana. In the home it is changed with the seasons and usually reflects the currant season. The use of dry grasses as an accent or just a vase with dry grasses. Sometimes a vase with pussywillow or birch branches are all thats needed to bring nature into the home.
In the Japanese culture man is equal to nature. In the west, man is seen above nature. The Japanese culture has always made time and space to bring nature into the home for reverance or display. The suiseki or stone is symbolic with bonsai and are often displayed together. The stone represents a mountain or plataue, maybe a waterfall or steep ocean cliff. The use of stone in display also dates back many centuries. The "Tea Ceremony" is sometimes centered around the Tokonoma and the display is studied or revered. The artistic use of accesories such as stands and accent pieces along with stones is under much scrutiny during the ceremony. In the bottom of the alcove is the "Tatami Matt" a reed matt sewn together and about 36" x 72" and 1.5" thick. These matts are about 450.00 to purchase. The alcove is traditionaly made of spruce wood with a natural debarked log as a post or a post of walnut or mahogany. The three posts of the tokonama, the two vertical posts and the horizontal lintal are usually made of three differant types of wood. For instance walnut, mahogany, and a natural log. This Tokonoma was built in Fresno for the annual GSBF convention here in Nov. It was a raffle prize and won by Gordon Deeg. Pictured are the builders Ben Douglas and Harold Mitchell.
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A tree a day...thats all we ask. |
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#3 |
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bonsaiTALK ArchMaster
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"In the Japanese culture man is equal to nature. In the west, man is seen above nature."
Not sure if that's true. Could it be closer to "in Japanese culture, man is part of nature. In western culture, man is set apart from it." The point is a fine one and will probably irritate Al, but it could lead to a more inclusive way of thinking about displaying bonsai. Where the west sees display space as a stage to set pieces up for visual effect, the Japanese aim is not primarily visual, but also emotional. The displays we in the west see as "put 1 here, put 2 there, etc." is only part of the equation. We detach ourselves from the objects. The Japanese try to be part of them through feeling, from what I've seen. Roughly (and I mean roughly, since I have no formal instruction or knowledge of keido) for the Japanese, a Tokoname display is "put this stone--that has special patina that vaguely reminds me of evening mist--here--while I put this tall pine over here. I will put this scroll of a moon and grass behind. Together, they remind me of when I was a boy in the fall wallking in the fields." This is probably a long-winded, loopy explanation, but it gets to what a tokoname display is about --emotional response--composition is secondary. This is a hard thing to get around, and heaven knows, I haven't yet--probably never will, but I'm trying... |
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#4 |
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bonsaiTALK Master
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I assume rockm is referring to a tokanoma(display alcove )as opposed to tokoname(which I understand is an area in japan noted for it's quality pots). I am sure it was just a typo
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Jonathan |
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#6 |
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bonsaiTALK ArchMaster
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Jonathan It was a typo. Sorry |
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#7 |
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bonsaiTALK ArchMaster
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What would the display symbolize?
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#8 | |
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bonsaiTALK Master Chief
Join Date: Sep-2004
Location: South San Francisco, CA
Posts: 1,989
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Quote:
The relationship between earth, man, and heaven. Mike
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Nature is perfect. Man's attempts to improve nature, Are imperfect. MP@BBB Studio There is no way to happiness. Happiness is the way Gautama Buddha |
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#9 |
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bonsaiTALK ArchMaster
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I think that may be a strict interpretation of the display. The area does have religious orgins--having started out at the butsudan, or place where a statue or image of Budhha was displayed. But that was hundreds of years ago.
The tokonoma has since taken on very secular and practical associations from what I've heard and seen. The items displayed in them in Japan can have religious significance, but not necessarily. The association between heaven, earth and man is less sigificant, or at least less overt. It's become more of a place to show art than honor religion. The space offers a practical way to show off one's taste in art, since traditionally, the Japanese don't display art on their walls. Additionally, the use of three distinct objects to create a composition is simple art composition. The use of three planes to create a single tiered composition has its roots in sumi painting. Asian sumi paintings pioneered using a low forground element, a middle ground element and a background element to form a cohesive picture. The white space between each element allows the imagination to see vast spaces in a finite space... The use of three elements in a tokonoma display may have some relationship to man, the earth and heaven, but I don't think that's the primary symbolization that such displays are after...Western art has a parallel--art's roots in the west lie deep in the Christian church. It has outgrown that limited space, though. |
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