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#1 |
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Bonsai Doer
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Four Displays
I am hopeing to get a few comments on these displays. (Yes I know the flower stem is falling to the the right.)
I am looking for accent to tree harmony, space between items, have I used negative space adaquately, the proper use of tables? Are the scenes cluttered? Regards, Al Keppler
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A tree a day...thats all we ask. |
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#2 | ||||
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Tips:5¢ Advice:Free
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Now, I think I might have commented on this in a prior posting, but you have the red flowering plant in the foreground - it's redundant to include it in the scroll, too. The proportions are very good though.
Thanks for posting these displays! Regards, Matt
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#3 |
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Always learning
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AL,
23742 is in my opinion the best one. I like how the bonsai and accent are linked in color by the bonsai's pot and the accent's stand. The two items are spaced nicely and the overall effect is good. Here comes the bad part...the other displays (accept the landscape) seem crowded. The first picture (23740): The tree is too close to the scroll and as treebay said, the scroll is redundant when the accent is the same. Everything in this display is fighting for center spotlight. They need to compliment eachother and become a unit. Just my opinion, not based on any formal education. The shohin display (23741): looks like a couple displays squeezed tightly together. Not good. Again it appears cluttered. The Landscape (23743): In general I am not a fan of most landscapes...I rarely see one I like...so I don't have any thoughts on this one. Best Always, Ryan
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"If God meant for us to run around naked, we would have been born that way!" ----a Quote from my uncle's fridge Last edited by Bone-sigh : 16-Jun-2005 at 08:14 AM. |
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#4 |
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bonsaiTALK Expert
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Nice work Al,How do you keep that tree alive?Indoor displays are much better.Keep up the good work!
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#5 |
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Let me start out by saying that these displays are better than anything I have done to date. I have been seriously studying displays to prepare myself for some more formal showings. I appreciate your posting such in order for everyone to learn from it.
I do have a couple comments that maybe you could help me out with... First, I have noticed a trend in scrolls lately where they are very hard to find anymore in plain basic white, off white, or tan. Instead they all seem to be the paisley like printed scrolls such as you have shown here. These bother my untrained eye to no end, I find them quite distracting, drawing the eye from the picture. Is this only me? Second, non-distracting backgrounds are hard to come by as I am sure you know. The vertical lines (seams) in the background again draw the eye to them. Would a bamboo screen help or hinder this? Is this a common problem at shows? Third, the tablecloth (plastic?) or tarp that is covering the tables I think would be much better in a neutral tone instead of blue. Not only does the color take from the whole, but the creases and wrinkles draw the eye also. Would a freshly ironed cloth spread be better? Again, is this a common problem at shows? Will Heath |
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#6 |
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Enthusiast
Join Date: Feb-2005
Location: Carlsbad, California..coastal desert
Country: United States
USDA Zone: 11
Posts: 5,433
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Our San Pu Kai Club uses burlap-type material for the tablecloths and backdrops. It is really great for the neutrality it brings.
The blue bothers me, too.... Joanie |
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#7 |
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perpetual student
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Wonderful displays! You really have a good eye!
I agree with most of the improvements that have been mentioned so far so I won't repeat them. However to the shohin display being crowded I believe that a new arrangement may create greater harmony. I don't know all of the rules for display so I don't know if this would break any of them but here goes. Perhaps if the waterfall stone were matched up with the cascade and the entire table with that pair were moved all to way to the back of the table, while the larger accent replaced the stone in that part of the display and that table was moved to the middle ground of the table and the remaining accent stayed where it is. To me the flow might be better that way but I'd have to see it to know for sure. Regards, JP
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I'm an acorn, small and round, sitting on the cold, hard ground. Everyone walks over me, that is why I'm cracked you see. I'm a nut, I'm a nut, I'm crazy. -author unknown |
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#8 |
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Dances With Trees
Join Date: Jul-2004
Location: Lake County California
Country: USA
USDA Zone: 8-9
AHS Heat Zone: 7-8
Posts: 573
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blue tablecoths are standard at the traditional shows in Japan. Never heard a good explanation why they chose blue. I've never really liked it either.
- bob
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"As a twig is bent the tree inclines" - Virgil (70BC-19BC) - - - - - - - - - - - - - - - - Check out my blog: bonsaiapprentice Last edited by cbobgo : 16-Jun-2005 at 04:35 PM. |
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#9 |
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Bob,
In our gallery here, I find the 2004 Bonsai UK Exhibition's and the 2003 Bangkok, Thailand Show's choice of table covering and backdrop more pleasing, however those pesky seams in the backdrop still draw my eye. Will Last edited by Will_Heath : 16-Jun-2005 at 03:49 PM. |
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#10 |
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Bonsai Doer
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Thanks for all comments. Some comments of my own in no particular order.
The trident in the shallow pot is a barn burner. I prune the roots each year to within a half inch of the trunk. It just keeps getting stronger and stronger. The tree is planted in 100% akadama, my soil of choice. I will plant in no other. The tree is all the proof I need. Yes it would be lots better if amateur shows such as this one would do it right. I have lots of ideas on how to improve the presentation and I would do it if the whole club were in agreement. Those things cost money and need to be percieved by everyone as a needed item. It would be nice if a club would try a few tables like Mike Page's club. Just a few tables set up as a focal point. A display such as that could have a solid background, and the chosen displayer would be allowed to dress that table as they saw fit. I would love to have a chance at that sort of display.Things to work on in the future. Scrolls, This is a subject in which I have done some real investigating. It is an area that The US as a whole does a terrible job of at importing. For whatever reason, scrolls are far and few between. There are numerous inexpensive scroll card types that I have seen and in my opinion they detract more than they improve. There is a picture of a tree in Mike Page's recent club showing from San Mateo that had a really fine larger semi carved tree shown with this really small hanging scroll card. The scroll looks dwarfed with the tree. I would find the display more appealing without the scroll. I have purchased some scrolls and will be useing them if a few display later this summer. I have some work to do on a few plants to get them ready for display. Plastic table covers Need I say more!Final thoughts, displays such as this while nice to look at, have nothing on seeing them in real life. The image of the trident and bird depicted in the scroll are very good together in real life and do not seem to cancel each other out as in the photo. There is just something about a photo that can starve a look. I will look for supporting photo's of the shohin rack system. Part of the problem with the shohin rack as I have it displayed is the trident forest. It was not slated to be grouped in this composition. I have a smaller single shohin trident maple that was to go in that place, but changed out the plant at the last weekend due to the smaller plant leafing out so late. I did not like the look of the tree, we were experiancing bad wheather during this time with periods of record rain, late spring and no sun. This forest is rather large for tables of this size. While the planting is at the upper limit for shohin, it is too large for this grouping. It acts as a focal point. Once again I feel this display if given the proper room would seem better. I feel this display needs at least six feet of table to be shown adaquately. Best regards, Al
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