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Urban Collecting 101
I will start out with mentioning the ethical considerations of collecting as the way in which we collect affects collectors worldwide. Unethical collecting can give a bad name to bonsaists everywhere and can make it very difficult for others to acquire permission to collect in the future. The following are some considerations that I personally abide by regardless of if I am collecting in the wild or in suburbs.
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#3
by
Will_Heath
on
4-Apr-2005
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You look for the same characteristics in all stock, which is usually easier to find in wild growing trees and shrubs that have been browsed by animals or beat up by the elements. This works for urban stock as well, except we are the animals who constantly trimmed the plants.
![]() Look for good trunks, nebari, branches, foliage. As with all plants, faults can be used or corrected over time, but having the thick trunks and such that only comes with many years of growing in the open ground is a excellent reason to collect, these attributes are very hard to find in nursery stock. How big is too big? Good question of which I am sure that everyone will have differing opinions on. As you can see with the cedar above, it was a five foot high shrub when I collected it, it is substantially shorter now and will be worked down over the years even more. The biggest enlightenment most bonsaist go through at first is when they realize just how big all those bonsai they looked at in all the books really are. Good luck, Will |
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#4
by
Will_Heath
on
4-Apr-2005
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I have been asked what in the world am I going to do with that Maple stump...
One option that I see is shown in the attached picture where I will remove a "V" shaped section from the main trunk and gently carve the trunk to merge with the two main branches and attempt a modified broom style. The maple is at an angle now due to the vast rootage underneath. It has real nice nebari but also a lot of roots underneath those. I scraped the bottoms of the upper nebari and dusted with root hormone before potting. Any suggestions? Will |
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#5
by
Carl_Bergstrom
on
4-Apr-2005
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Quote:
Ah...this brings us to an interesting question. How well does Japanese maple work in the broom style? Can anyone point me to an example of an artistically successful broom style Japanese maple? Cheers, Carl |
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#6
by
Will_Heath
on
4-Apr-2005
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Quote:
Perhaps, you can see some other option that I can not? But that is a styling conversation best left to when the tree is ready for some work, unless someone has another way to go? Anyone else doing urban collecting this year? Will |
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#7
by
Jay
on
4-Apr-2005
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OK I'm going to stick my neck into this one. Could Carl be asking why did you collect this tree if there isn't a plan in place for it? You mention in your 'Collecting Guidlines' above to only collect what you will use... if there isn't a plan for it, how are you going to use it? I have collected several trees that I now admit I had no plan for....they are still awaiting a decision and probably will just go back to be landscape trees.
I think an addition to your guidlines...which I admit are real nice, is to know that the collected material has a future and that you are not collecting it just because.....I came all this way and I'm going to get something!!! my 2 cents Jay |
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#8
by
Will_Heath
on
4-Apr-2005
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Quote:
I'm glad you asked. This is urban collecting. The owner of the property I got these two trees from wanted them gone, in fact he wanted them gone so bad I actually stopped him a while ago while he was trying to pull the Japanese Maple out with a rope and a truck. But this isn't the point. I have found that with collected material it is best not to have a plan. No, I am serious. I can never tell which parts will take off and which will die back, maybe some people can, I never could. As I stated in the article above, wait for a year or two be for you start work, this allows for the plant to recuperate from the stress of collecting and also allows you to see many possibilities along the way. My original thoughts are very seldom the final plan. As to the maple in question, as I have stated, the top portion of the tree was already dead, it died back some years ago. The tree responded by putting out new growth below the dead part, naturally reducing the height. When I decided to save it instead of letting the landowner toss it, it was because of the thick trunk, low branching, and good nebari. As far as a plan goes, I can always trunk chop it lower in the future. Again it was collected for it's thick trunk, nebari, and low branching, attributes that would attract any collector. In fact I wish I had a few dozen more just like it....it would take many years to develop the trunk and nebari of a Japanese Maple to this degree, surely it was worth the effort? Will |
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#9
by
TreeBay
on
4-Apr-2005
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Quote:
This is one of the best Maple brooms I have seen. It was displayed at Yamato Bonsai Club in '99 Regards, Matt |
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#10
by
Carl_Bergstrom
on
4-Apr-2005
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Quote:
Thanks, Matt. That's at least as good as I've seen, and it's a very informal broom. Broom style is conspicuously absent from Kyosuke Gun's book on shohin Japanese maple and from Peter Adams' Bonsai Design: Japanese Maple book. Best regards, Carl |
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