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Elanden Gardens Project: Japanese Black Pine

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Old 30-Apr-2007   #11
Larry
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Quote:
Originally Posted by rockm
Nick Lenz is a pioneer of American naturalistic and artistic bonsai. He is a noted American yamadori expert and has written one of the definitive texts on collecting in the U.S. The book "Bonsai from the Wild" is a must have item for EVERY yamadori collector.

http://www.artofbonsai.org/galleries/lenz.php


Hmm, some of his work I find a bit too 'out there' for me. I mean, root over tank!?

I do like the Alien egg semi cascade Pinus mugo tho; I've seen that in the gallery on here:
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Old 30-Apr-2007   #12
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Did you look at the trees WITH the tank? The tank is merely an accent (which is made of bonsai pottery clay--Lenz makes his own containers) for the composition. Although Lenz uses some strange things with his trees, the tree most always are excellent and very natural looking--which is very hard to do well. For instance, look at the blue rug juniper -- usually a prostrate shrub that sprawls on the ground. Lenz used that unlikely material to produce a pretty astounding upright ragged old tree...

He enjoys greatly tweaking the nose of bonsai purists with root over plastic baby doll, gargoyles, tanks, anthropomorphic shapes, pots and other stuff. It's all in fun though, although some people are offended...
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Old 30-Apr-2007   #13
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Oh i wouldnt say there are offensive, I just like to see the trees on their own-trees that good dont need extras!
The blue rug was OK but the one I really liked was the Juniperus chinensis-just fabulous!
http://www.artofbonsai.org/gallerie...aku_loop_03.jpg
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Old 30-Apr-2007   #14
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i love nicks work!!! now where do i find dans work?
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Old 30-Apr-2007   #15
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Quote:
Originally Posted by anttal63
i love nicks work!!! now where do i find dans work?


Yea I was wondering that too!
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Old 30-Apr-2007   #16
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Well... The most comprehensive photographic display available on the internet, of his work, is found here actually. There is a large album in the gallery here, all of which are his trees. Listed under Elanden Gardens. Mind you, there are a lot of macros. Because Dan's work is in the details. And I was going crazy with the camera that day.


Dan isn't on the internet much. Which is why when he introduces me to everyone he calls me his "Public relations rep to the bonsai world." (laugh)

I'll try and post some other projects tonight. I am trying to make sure I photograph everything we work on, but some things are so basic, that I did not think to do so with some things.

Kind regards,

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Old 1-May-2007   #17
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his carving work is great there is so much of it he has obviously had plenty of practice. but please tell me why there is many photos where the carving is so extensive but yet the trees are unfinished unrefined even under the naturalistic banner. are they more recently collected. its also interesting that the feature black pine was once a stick in a pot and still alive.
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Old 1-May-2007   #18
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Quote:
Originally Posted by anttal63
his carving work is great there is so much of it he has obviously had plenty of practice. but please tell me why there is many photos where the carving is so extensive but yet the trees are unfinished unrefined even under the naturalistic banner. are they more recently collected. its also interesting that the feature black pine was once a stick in a pot and still alive.


Interestingly.... This stick in a pot that is still alive, is one of the only bonsai from dozens of seeds he planted at that time. So the example bares true.

You have to understand that with Dan, the show isn't the foliage. It is the trunk. Often times he feels the story being told by a particularly old and knarly trunk is completely defeated by the foliage. Therefore growing out crowns with any significant density is not a goal. Some of the excessively spare looking trees are junipers, on which he is having to battle some malady. He told me what it was... but... I can't remember.

Also... lets not fail to realize, excluding his personal collection at home... the growing beds.... and the nursery.... there are over 220 bonsai in the display garden alone. Which is why I get to do a lot of the grooming. I have no doubt the effect of my grooming the trees will decrease the lack of foliage you see... but I know already, he'll stop me before he lets any of them look like the crowns are too dense for his liking.

And if a tree is having a problem... is being worked on... or is new... it still goes in the display garden. Because it's a teaching garden.

And yes... some of the trees in the garden are newer additions. Especially when you look at some of the large particularly old stumps.

Kind regards,

Victrinia
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Old 1-May-2007   #19
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Quote:
Originally Posted by Victrinia_Ensor

The next few photos shows Dan carving out the new shari. Notice the way he holds the tool. The positioning of his left hand provides the finer control, while the right hand is managing the bulk of the machine. Never in the process of actually carving the tree do his left middle finger, and ring finger fail to have contact with the tree. In carving the lower portions of the tree on the previous weekend, we had to actually remove the tree from the pot. So that I could position the tree into various angles which would accommodate this needed contact with the material. It is essential to control.

Victrinia


This is advice I have given newbie carvers for many years. You always want to have one hand touching both the die grinder and the work, even if it is only a pinky touching the work it greatly increases stability ( and confidence).
Has Dan relayed three of THE most important rules to follow while carving??
1. DO NOT let anyone talk to you while you are carving!
2. DO NOT talk to anyone else while you are carving!
3. If someone insists on talking to you, stop what you are doing until the conversation is over. You can get hurt badly in the blink of an eye!

Have you met any of Dan's Ponderosa collecting buddies, Larry and Greg?
BTW, BrianBay will be moving real close to Larry in Denver area right about now.


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Last edited by Dale Cochoy : 2-May-2007 at 01:25 PM.
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Old 2-May-2007   #20
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Hi Ms. Vic
Good to see Dan working away with his die grinder. Is he still using core box bits?
I first met Dan at the 1980 GSBF convention in Sacramento. He was styling collected pines with a chainsaw. That's what got me started using power tools on bonsai. As soon as I got home from the convention, I bought a small electric chainsaw. Still have it and it works good.
In 1987, Dan and I did a dual demo for Bonsai Society of San Francisco at their annual show at the Hall of Flowers in Golden Gate Park. Dan styled a Ponderosa Pine he had collected, and I put together a rock to plant it in. One of the members won it, and sometime later she gave it to me as it was much too big for her to manage. The height from table is about 30 inches.
The image I'm posting was made last summer sometime to enter in the World Contest.
It's good to see you working with Dan at Elandan. You'll have fun, and learn lots.

Mike

Edit next day: I went into the "archives" and found this picture that was taken about 4 years after the original work by Dan, and the planting in the rock.

Mike
Attached Images
File Type: jpg ponderosa1_06_resize.jpg (69.4 KB, 70 views)
File Type: jpg pondpinegumps.jpg (63.0 KB, 35 views)
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Last edited by mike_p : 3-May-2007 at 08:33 PM.
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