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Most expensive Bonsai trees on the net?

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Old 18-Oct-2005   #21
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Quote:
Originally Posted by rockm
For the life of me, I can't figure out why anyone would want to buy an imported Japanese bonsai "masterpiece." You won't be getting your money's worth--if the plant makes it undamaged through quarantine. You are not making an "investment," since no one is going to purchase the plant from you once it's imported for the money it took to get it here. You would have to export it back to Japan to even begin to get a return on your "investment" and even then, the plant won't bring what you paid for it as it will might have a stigma attached to it.

All you will have is a $15,000 (or more) plant you can brag about as being a "masterpiece"--which it probably isn't. The Japanese are going to think two or three times before letting true "masterpiece" material get outside the country and into someone's hands who may kill it or maim it. Most of the stock that's exported from Japan is stuff they don't want, can't use, or think is second, or third, or fourth rate. They hang onto the stock that's truly worthwhile. Take a very close look at the high priced imported stock at U.S. bonsai nurseries. It has some glaring, uncorrectable flaws. Some of it is downright ugly.

Then take a look at stock developed here from native or from near-native plants. Jim Smith's site is a good example, as is the stuff at Miami Tropical, as is Bonsai Northshore (once Guy Guidry is back in business).

There is masterpiece stock ALREADY in the U.S. and it's not of Japanese origin. It's collected. Some of the native collected stock in the U.S. is VASTLY superior to anything in Japan. No, Kimura hasn't styled it, but it's of quality he would kill for. It's also about 1/10 of the price.

If you HAVE to have a tree "deisgned by Kimura," for Heaven's sake, enroll in one of the workshops he does in the states at local bonsai clubs. He does them. Watch for his name.



RockM,

I agree that most of the imported material from Japan is junk or often at best severely flawed. But there are a few specimens here and there that are superior bonsai worthy of a price tag of 4 or 5 digits. There are also probably only a dozen or so people that will pay this much for material here in the US, so demand is very low. It is quite an investment with slow to no turnaround. If I had a few grand to spend, I would definately consider a few quality imported pieces I've seen. How else would you add to your collection a tree that has the fine ramification and aged branches that have been worked on for 30 to 50 years? If this is a stigma tree, give me a dozen. And, if it pleases me, I would probably never sell it. But I bet many will still go up in value over the years. I have seen them do just that.

I also disagree when you state that some of our native material is vastly superior to what is seen in Japan. I would agree we have material that rivals Japan's, and with decades of work would equal Japan's important bonsai masterpieces, but not exceed. Do you have some examples to back up this statement (VASTLY superior)?
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Old 18-Oct-2005   #22
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Howard,

How can you pick up girls in a $15,000 bonsai? I'd go for the car behind door number 2.

Cordially,
Brian
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Old 18-Oct-2005   #23
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Vastly superior material has already been worked by Japanese American, and American artists here--one needs only to look as far as Naka's use of Montezuma cypress, the various artists using California juniper and poderosa pine. Nick Lenz' use of various and sundry unlikely, but highly adaptable species.

A further glance into California bonsai reveals alot of superior bonsai--far better than many of the Japanese trees I've seen. Take a look at Walter Pall's photo montage of his trip to California last year on the IBC website and the kinds of trees being grown--the Monterrey Cypress in one series of photos spring to mind, not to mention the live oaks of all sorts---The Japanese Diamyo oak can't hold a candle to any of our live oaks.

Take a look at Dan Robinson's stuff, Nick Lenz's trees...Mary Madison's, Chase Rosade's, Guy Guidry's, Ever been to the National Arboretum's North American pavilion and taken a look at who's done what to North American species? There are more different kinds of trees in that exhibit than in the number of species in the Japanese exhibit. Take a count next time you're there. You're going to say "numbers don't make them better." Might be true, but I'd say you're wrong. Do the species have the same history as the Japanese trees? Of course not. Doesn't make them superior as "bonsai" species though.

Bonsai material cannot be imported TO Japan FROM the U.S., so there is no traffic in that direction. However, that's only because of the law. I've heard repeatedly that collected junipers, pines, bald cypress would sell for pretty high prices there if they were allowed in.

As for "investing" in an imported "masterpiece," like art, that investment can be a little squishy. In order to recoup the ten, fifteen, twenty grand or more you "invest" in a tree, you would have to sell it very carefully.

I have "invested" some money in some higher quality trees, but I don't expect them to return 100 percent of their value. I'd be overjoyed with 50 percent. I would say that that would also hold true for an imported specimen that's been outside of Japan for more than five years or so. People willing to pay top dollar for an imported specimen are unlikely to pay that kind of money for a tree that's been kept by a humble American for any amount of time--unless you find somone that doesn't understand how bonsai change with their keepers. Most likely, I think more experienced buyers would go straight to the source and import their own. That would provide them with a virgin import with all the mystique still attached to it. Why go "second hand" when you can get an "original" from Japan for the same money?
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Old 18-Oct-2005   #24
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I am much more interested in the most "Exciting" bonsai on the Internet rather than the most expensive!
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Old 18-Oct-2005   #25
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Personally, I know people who sell bonsai for up to about $10,000, although the majority of their stock is less than $5000.

It sure seems the pedigree of the material is a big factor in the price. In a lot of cases, the lesser priced material is the better "visual" bonsai. However, the history of the higher priced trees inundates the discussion. A Kimura creation is more than likely going to be a nice bonsai, but it's not a given. Just because he worked on a tree doesn't mean it's automatically worth more (I bet he's killed a few bonsai in his time). That's not meant as disrespectful, but just to point out we need to be realistic in both purchasing and selling bonsai.

I compare this to the AKC type of dogs. Yeah, it might be full-blooded, but is it any good ?

To me, "the dog has to hunt". Otherwise what's the point? I see high priced bonsai in the same light.

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Old 18-Oct-2005   #26
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"That's not meant as disrespectful, but just to point out we need to be realistic in both purchasing and selling bonsai.

I compare this to the AKC type of dogs. Yeah, it might be full-blooded, but is it any good ?

To me, "the dog has to hunt". Otherwise what's the point? I see high priced bonsai in the same light."

The point comparing bonsai to show dogs is interesting. Show dogs have a huge variety of range. AKC is merely a registration center, not an indicator of quality. It was never intended to be anything other than a place that kept historical "stud books" for various breeds. It wasn't intended to become a stamp of approval or status. People have given it those stamps on their own. Same for "Japanese" bonsai. The same thinking that makes people think an AKC registered dog is better than one that's not, drives the thinking that all "superior" bonsai must come from Japan. Neither is true.

It is true that, by and large, AKC registered dogs will be a classic example of its breed. It is also true that, by and large, an expensive Japanese imported tree will be a superior example of bonsai. Neither source however, guarantees anything. That assumption is made by the buyer.

Judging from what I saw at WBFF, I think $5,000 would be entry level for lesser Japanese stock. To get the "good stuff" requires at least five figures or more. Five grand, however, buys top drawer native stock. The stock I saw in D.C. this summer from the likes of Miami Bonsai and a few others was much better than the $5,000 imported Japanese azaleas sitting next to it
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Old 18-Oct-2005   #27
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Wow,now that it has been pointed out bonsai and AKC show dogs are good for comparison.I commonly enough see both being sold out of the back of truck parked on the side of a road.
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Old 18-Oct-2005   #28
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Dont' get me wrong. Some of the best pit bulls I've ever seen were in the back of a pickup in Canton, Tex.

Good stock is good stock, no matter what it's pedigree. Some folks get hung up on the pedigree. That's what I'm saying.
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Old 18-Oct-2005   #29
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There is one over-whelming consideration before buying one of these masterpieces. Do you have the ability and knowledge to take care of it and maintain its artistic value over time?
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Old 18-Oct-2005   #30
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Quote:
Originally Posted by rockm
Vastly superior material has already been worked by Japanese American, and American artists here--one needs only to look as far as Naka's use of Montezuma cypress, the various artists using California juniper and poderosa pine. Nick Lenz' use of various and sundry unlikely, but highly adaptable species.


I have seen Naka's, Linz's, Robinson's, Pacific Rim's, National Arboretum's, Bill's, Miami Tropical's, Jim Smith's, Guidry's, Ishi's, Andy Smith's, Madison's, etc... These collections all contain great collected material. Have you been to Kokufu? Have you seen the really good Japanese material. I understand stating that we have material that will rival the Japanese material, and I'm all for "made in USA" but the use of the term vastly superior just does not click with what I've seen.
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