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Bonsai and that Pesky Scalene Triangle

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Old 2-Dec-2004   #1
RonMartin(deceased)
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Bonsai and that Pesky Scalene Triangle

Editor's Note: The following article on bonsai design written by Ron Martin of Tokonoma Bonsai has been recently expanded with illustrations from Carl Rosner. You can link directly to the article here:

Bonsai and that Pesky Scalene Triangle
-MORE-

Quite a while back I posted the following article. The response to it wasn't all that bad. Actually for my stuff it was pretty good ;o)

Anyway I was rereading it a few days ago and decided that it left a lot of questions unanswered. It explained the "scalene triangle" but not how to use it. I have decided to expand on this article and make it a bit more complete. With all the talk about "bonsai by the numbers" going around lately I thought I would repost the original and see what holes everyone can find it it. Sort of a lazy man's way of doing research ;o)

I have some notes on things to add. A few people have seen those notes. So far no one has laughed at the changes. To my face anyway. When I get it all done I will share it with everyone here. Get a peer review of sorts. (something that doesn't happen too often on the Internet)

So any suggestions as to what needs to be added to any part of the article?

Bonsai and that Pesky Scalene Triangle
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Old 2-Dec-2004   #2
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Ron "Scalene" Martin,

Wow Ron, this triangle stuff really gets you going!!! No, I haven't forgotten the lesson on the table in Garfield's with the crayola. Interesting stuff, and it does certainly show its worth in bonsai styling.

A triangle, or more correctly, multiple triangles with "soft" edges, really do seem present in most bonsai that I feel are great specimens. Like most everything else, there are exceptions, but a very important shape to consider in bonsai styling.

I hope you are doing well,

John
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Old 2-Dec-2004   #3
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Quote:
Originally Posted by John Dixon
Ron "Scalene" Martin,

Wow Ron, this triangle stuff really gets you going!!!
John


Not really excited, a bit talkative maybe.
Seems we are constantly bombarded with the "bonsai is art" thing and very little on how to create that "art" Neither subject is a bad one but it does seem like one gets more press than the other.
I just like to show people how to create "art". Give them the tools then step back and see what happens.
You are right about one thing though I do have a tendency to preach a bit when I have a captive artist. And I did after all stiff you with the drink bill ;o)
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Old 2-Dec-2004   #4
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Quote:
Originally Posted by RonMartin


You are right about one thing though I do have a tendency to preach a bit when I have a captive artist. And I did after all stiff you with the drink bill ;o)



You did?!!!! Wow, all that talk about triangles must have stunned me!!!

Ron, very good points buddy. It's always nice to talk with someone who cares about what they are teaching. That's how you are.

John
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Old 2-Dec-2004   #5
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Quote:
Originally Posted by RonMartin

The triangle implies:

1. Stability - The triangle is a shape with a wide base and therefore can not be easily knocked over (blown over?). The relativity of this to bonsai should be obvious, age=stability.


2. Scalene - symmetry is also a sign of stability but it does not include a lot of variety and/or interest. In bonsai terms, the symmetrical tree could become a tree by rote rather than a tree of artistic merit. Scalene is NOT symmetrical so avoids that problem but therefore needs stability of the triangle. Therefore a scalene (non-symmetrical) triangle.

3. Implied - By creating a bonsai with just the limits or corners of a scalene triangle evident, the artist requires the viewer to become a participant in the artistic work therefore adding interest for the viewer.

[/size]Ron Martin



I don't know if I'd call this a "call to correct" or not, but one of your points above got me thinking. You state that a triangle has a wide base. That isn't necessarily the case. Not something I'd really press to change in your article, but, noting that, have you ever seen a bonsai that has its narrowest edge of the scalene along the bottom? One that works at least? I'm about to go looking for one/any and see how it works.

A narrow-based triangle would imply a tall tree, seen in the distance. I'm most likely to find it as a formal upright, but we'll see.

Comments?
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Old 2-Dec-2004   #6
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I would not call any attempt to define any aspect of bonsai as "crap."

This is a excellent sequel to the first triangle article you wrote. It covers the subject quite well, although I would like to see more three dimensional reference. I know that describing a three dimensional concept in a two dimensional medium is difficult.

Thanks teach,

Will
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Old 2-Dec-2004   #7
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Very nice article Ron. I would make some changes to only one sentance.

This one; "The answer to the first part of the question is perspective . Or better yet trickery. This has nothing to do with art, just setting the stage."

I feel perspective has everything to do with art.

And finally, after reading all this good stuff about relating artistic ideals to bonsai, I feel very confused about you... maybe an epiphany! Either way I love it, keep up the good work!

~Smoke~
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Old 2-Dec-2004   #8
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Quote:
Originally Posted by Smoke
Very nice article Ron. I would make some changes to only one sentance.

This one; "The answer to the first part of the question is perspective . Or better yet trickery. This has nothing to do with art, just setting the stage."

I feel perspective has everything to do with art.

And finally, after reading all this good stuff about relating artistic ideals to bonsai, I feel very confused about you... maybe an epiphany! Either way I love it, keep up the good work!

~Smoke~

Thanks
I guess perspective does have something to do with art. It does make things "fit" together. Look right and all that.
I do however think that art is knowing what things to put together.
One is art and the other a mechanical thing.
Nothing about me should confuse you. I don't do art. I teach others the techniques to do art. I don't make the techniques nor can I do the art.
Like all teachers I just parrot what I have learned from others. Guess that is the difference between an artist and a teacher. The artist has vision and the teacher only has accumulated knowledge.
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Old 3-Dec-2004   #9
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Quote:
Originally Posted by RonMartin

I don't do art. I teach others the techniques to do art. I don't make the techniques nor can I do the art.
Like all teachers I just parrot what I have learned from others. Guess that is the difference between an artist and a teacher. The artist has vision and the teacher only has accumulated knowledge.

Hmmmm I will throw a BS flag on this statement! I have seen your trees, actually I even own a couple of them and if what you do to your trees isn't artistic, I don't know what is!

Adam
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Old 3-Dec-2004   #10
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Within this "safety-net" you described i connected a few more tools.
I like to know if thats true or if that came from different backgrounds.

Tool - first branch should be around 1/3 up the tree
Tool - taper should be visable around 2/3 of the tree
Tool - negative spaces 7-5-3

plz your thoughts on this.

Gr. Dave
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