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| View Poll Results: Your opinion about the quality of material used to illustrate techniques | |||
| Prefer to see material of the highest quality |
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11 | 34.38% |
| Prefer to see accessible (typical) material |
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9 | 28.13% |
| Either way so long as it suits the purpose of the article |
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12 | 37.50% |
| No opinion |
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0 | 0% |
| Voters: 32. You may not vote on this poll | |||
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#1 |
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Tips:5˘ Advice:Free
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Andy Rutledge's Palaver's Back!
Andy Rutledge's Bonsai Palaver site came back online after a brief hiatus during which visitors were redirected to http://www.psych.org :
OF NOTE: Today there is a new "Forum Blotter" feature, which leads this writer to suspect that Mr. Rutledge continues to follow the forums, if not to actively participate. You can also read Andy Rutledge's latest opinion piece, Despising the Unattainable, about articles in bonsai magazines and the quality of the material involved, with an emphasis on reasons why the publications and writers would not want to illustrate points with more accessible (read: mediocre) bonsai materials. My comments? 1) Glad to see Palaver is back. It was an interesting and entertaining read. 2) Too bad about Andy's decision not to participate in the online forums. Maybe we should have a pool on how long people think that will last? Andy's last known bonsai Forum post Fri, Mar 12, 04 at 12:26 3) Regarding the opinion article, I guess I am surprised that there is a faction of enthusiasts that has a problem with articles containing good trees, but I never see their Letters to the Editor. I did see the writing on the wall toward the end of Bill's tenure, a couple years ago, when BT started translating "chopsticks" as "little sticks," I knew we were in for trouble. Later they began to run articles on Superfeeding and trees called "Stormcloud Tiger" and "Expanding Ego," or somesuch nonsense, and I let my subscription lapse for a year. Comments? Post 'em if you got 'em.
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#2 |
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Banned 08JUN2005
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First of all, ley me say that I like Andy. Alot! I was very disappointed when he decided to no longer "cast his pearls before us swine". He is entertaining, smart and opinionated, all of which makes him a wonderful guy to exchange views with.
Wth this said, he is also not normally the quickest guy in the room to understand and apprecaite points of view other than his own. It's not hard to imagine that this quality had something to do with his decision to leave the on-line forums. That and the fact that he really devoted alot of his time to them; time that I always suspected could be used to do something that addressed his financial woes, which he mentioned from time to time. I imagine that if I were his wife, I be getting kind of P Oed at some point regarding this particular issue. I concur with the comments about BT. I guess in life just about any change means something gained and something lost. I was thinking about sending in detailed comments about the current issue. Just my own personal reactions, without presuming to elevate them to Fred's Universal Truths. Among other things, I was going to say that I felt discouraged by the first article on grafting roots. I will NEVER in this lifetime be able to do what that article was demonstrating and if that's what it takes to be a simple part-time hobbiest, well, I'd better try model airplanes or something else. I had the same reaction you did to the article about Green Panther or whatever it is. What overly precious, self-absorbed nonsense! What a turn off! I'd NEVER want one of my friends who I think might possibly develop an interest in Bonsai to see this article! Finally, I LOVED the articles on fruiting varieties and working with young trees. As well as the gallery. I, myself, am not too crazy about the efforts to Westernize. the treatment of Bonsai. I LIKED the predominant content of BT when it was Japanese. I was happy to see the English translations of articles improve in quality, but not at the expense of, I guess, making them "culture neutral" Is that the right word? I always felt, and still do, that to really "get" bonsai, you have to enter Japanese culture to some small degree. Now I do not advance this opinion as Universal Wisdom"........just my personal opinion based on my own narrow experience of life. Anyway, thanks for the comments. It will be fascinating to continue to watch the Andy Rutledge saga as it continues to unfold. Fred |
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#3 |
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bonsaiTALK Journeyman
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I feel that at least a certain level of articles with readilly available (according to Andy this means crummy, but what if someone finds pleasure in working with this material doesnt that make it great material?) would help to bring more people to this great hobby of ours. 'Hey, I could do that!'. I know that I like to read these kind of articles. They make me want to go out and try it. Some examples in Harry Tomlinsons book where he works with material readily availabe in garden centers started me off in bonsai, 'Hey I could do that!'.
Of course there must also be articles with top notch, great material resulting in great bonsai. I find these articles just as interesting, but they would never have made me take up bonsai if those were the only articles I ever had seen. 'No way I could do that!' regards, Daan |
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#5 |
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bonsaiTALK stick figure.
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I liked the articles covering techniques that were way out of my league. They showed you a "target" skill level. It'll be a long time before I'm at that skill level, but hey, its cool to see what is possible in the world of bonsai.
A few average trees in BT would be neat, but no, that's not how any other magazine works. A "tree's first styling" column would be really cool, but any publication should show overall excellence in the art. Find any given car magazine, inside you won't find an article on a 1989 brown Ford Taurus, you'll see a mint condition Mustang. You'll see the processes used to recondition that Mustang. I drive a junker, but I like looking at those sweet cars.
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Jimmyrigging is much like jerryrigging, just go a bit lighter on the duct tape and wire coat hangers, and hit said broken item more. Remember: if it isn't broke don't kick it. |
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#6 |
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Old Mister Crow
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A few thoughts:
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In love with trees |
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#7 |
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bonsaiTALK Journeyman
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I feel Andy puts forth a very strong argument against the 'only excellent material in magazines' point himself.
Near the end of his essay he tells how great bonsai artist often start with a piece of poor material and how they then transform this in a stunning specimen using those advanced techniques that Andy only wants to see demonstrated on high quality trees. (The part starts of with: "Point of fact: many of our best bonsai artists have excellent, impressive material that they’ve developed from quite poor specimens...") I would find it very worthwhile to have an article where you could see one of those best bonsai artists take such a poor specimen and how he turns this in to a stunning specimen. Of course this would mean that such an article would take a few years from starting to finishing the article, but hey so do bonsai. regards, Daan |
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#8 |
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bonsaiTALK Master Craftsman
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My comments,
Sorry to say I don't necessarily miss the argument baiting. Nobody does it better than Andy, but what exactly is getting done? Other than attention drawing, what is the purpose of endless debate? The gad fly ultimately becomes just another pest. It is the man with the whip and the reins that actually gets the horse and the cart moving, not the fly on the horse's arse. Perhaps a swarm incites the driver, but they still do not control the reigns... I think there is far too much rhetoric without action. I'll have far more respect for Andy if he continues to back up his philosophies with action- i.e., the exhibit in a formal gallery. I'd like to see less acidic belly-aching and more actual positive action toward change. Sincerely, Jim Stone TX |
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#9 |
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bonsaiTALK Master Craftsman
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More...
As a BT subscriber from day 1, I've seen ups and downs in the quality and content. Perhaps you don't need, understand or care about those grafting articles now. If you continue to read you eventually may. I used to consider all that "unnatural" or too much of a bother. A subscription to BT or any other rag is almost a right-of-passage. You're seeking more involvement or to improve. You've gained enough knowledge to discover that bonsai mags even exist. You'll be surprised what techniques you consider a decade from now. My copies are extremely worn- I figure I re-read each issue one, two or three times a year. I constantly see new things, little comments that didn't mean anything to me the first 20 times... True, the trees are often beyond what most are working with. Do not say they are unavailable. I bet Al, myself, or Matt could tell you exactly where to find like material. BUT it takes commitment on several levels. Your alternatives are to apply these techniques to your own trees using the "best of the best" as your guide. If you want a magazine that uses attainable material, does not waste the majority of space on convention reports and pet rocks, subscribe to BONSAI EUROPE. However don't complain that they are all European species and they still use the traditional terms. ;^) "I would find it very worthwhile to have an article where you could see one of those best bonsai artists take such a poor specimen and how he turns this in to a stunning specimen. " Perhaps you don't see it because it's a rarity- a silk purse from a sow's ear. Your opinion of "stunning" may not match mine. I'm a firm believer in the equation good potensai=good bonsai. Bad stock must be made into good potensai first. These are typically very different processes. There are articles that fit your description, however they take many years to produce; over time you see the more "famous" trees updated, just not necessarily in one article. More often you see this sort of thing here or on IBC... OR see Colin Lewis's "Bonsai Design". The entire book is a study in tree development. For all those decades of work, the labor and expense of putting an article together, you get the grand total fee of NADA. Not even a free year's subscription. I doubt you even get a free copy or two of the mag it's printed in. Since I'm not on the teaching circuit right now, my motivation is what? Sincerely, Jim Stone |
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#10 |
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bonsaiTALK Expert
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I want to see the best in BT. There are lots of other sources available to view other material
I want to see more from around the world in BT. The issue with the European gallery is one of my favorites. I applaud the effort to show more US artists. Bumpy start? Well, yes. Hopefully more will step up to the challenge. I'd love to but I realize I'm just not good enough, yet. I want to see more pinus sylvestris rather than black pines. Why? I can obtain Scot's with potential at a 'reasonable' price. Articles on black pines? Too many to count. Articles on Scot's? I searched my collection of BT this winter. Anyone want to guess how many I found? If I want to see lesser quality material and craftsmanship all I have to do is step out my back door. If I want to see the best so I can improve, all I need to do is light up the fire, pour a little something, grab a stack of BT, and re- read articles specific to my needs. Hey! I do that every winter. What a great world we live in. We learn from the best. 'Attainable' is a limit set only by one's mind. Deacon |
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