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Old 31-Dec-2004   #20
cato42
Child of God
 
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Join Date: Nov-2004
Location: Kansas City--more or less
Country: USA
USDA Zone: almost 6
Posts: 122
Red Leaf Criticism and critique

Auden's notions of the utility of a critic are useful, and I thank Mr. Bergstrom for sharing the distinction between "criticism" and "critique"; the difference is vital, and at the crux of why bonsai--or any artistic endeavor--is worthwhile. If one's work cannot speak to--and be spoken to by--those outside the circle of masters of the art, then it is quite probably bad art, or perhaps not art at all; if it is not susceptible to improvement by critique of a master, it is truly divine, or fully corrupt. Rare is the artist who toils only for himself, and rarer he who cannot learn.

Unfortunately, too often the tone of either the critic or the "critiquer" is harsh, and unloving, and disrespectful. Motives may be less than good. In many cases, the result is pleasing only to the ears of one who loves disharmony, and despises beauty. A moment's reflection on motive, mood, and method before giving forth any criticism might prevent unnecessary discord.

I have found that I can learn about flying from a sparrow as well as an eagle.
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